The Second Midnight by Andrew Taylor

Protagonists: Hugh Kendall and Michael Stanhope-Smith
Setting: London and Prague, WW II
Rating: 5.0

This is a spy, yet not a spy, story. In 1939, before the war, a minor spy is killed in Prague. Agent Michael Stanhope-Smith sends businessman Alfred Kendall as a courier, but the situation becomes more complicated, and Kendall ends up leaving his young son, Hugh, in Prague, as a promise that he'll return. But he never does, as Prague is taken over by the Nazis. Hugh does what he needs to survive, ending up, finally, as a gardener for a good-hearted German officer and his family. He lives above the stables where, every night, he experiences two midnights -- there are two clocks that chime the midnight hour, but one is slower than the other. Hugh falls in love with the German's daughter, Magda, but is hated by the son, Heinz. As the war ends, he must try to make his way back to England as the family flees. The books spans from 1939 to 1963, and in a way is an epic, the story of the Kendalls, as well as Stanhope-Smith, whose life becomes intertwined with the family.

This is very loosely part of the Blaines trilogy, but Blaines himself only has a very small part (a few pages) in this book. As Andrew Taylor says on his website: "This is a trilogy only in an informal and retrospective sense. The links between the books are unobtrusive and developed almost without my noticing. These are espionage novels, but with a difference - the private lives of the spies and their families are more important than their public actions. Indeed, the former tend to influence the latter, often in unexpected ways."

As always in Taylor's books, the characterization is excellent and the book is well worth reading.

Bleeding Heart Square by Andrew Taylor

Protagonists: Lydia Langstone and Rory Wentwood
Setting: Bleeding Heart Square, London, 1934
Rating: 5.0

Lydia Langstone is an upper-class woman used to the finer things. But when her husband strikes her, she leaves her comfortable life to share a gritty apartment with her estranged father in the somewhat seedy Bleeding Heart Square. Rory Wentwood, a journalist who has spent years in India and is now unemployed, also finds himself renting an apartment there. The legend of the square has it that the devil, disguised during a party, danced away with a lady, leaving her body on the square, her bleeding heart on the cobblestones. Now, someone is sending apartment owner Serridge hearts and skulls. Could it have something to do with Miss Penhow, the middle-aged spinster who owned the apartments before she fell in love with Serridge? Miss Penhow mysteriously disappeared a few years ago, and now Rory, acting on behalf of his one-time fiancee Fenella, is trying to find out what happened. Lydia soon becomes involved in the mystery, as well.

While Bleeding Heart Square is most assuredly a mystery, Taylor's books are so much more, this one being a Dicksensian tour of the have's and have not's, of a politically-torn England pre-World War II and of the options open to women at that time. Taylor is a master of the atmospheric, and he paints bleakness beautifully. I've read some criticism that the book moves too slowly, but that is what I like about Taylor -- he writes psychological suspense like no one else. He pulls you into the characters' stories so completely and then -- surprise -- wraps up the mystery you almost forgot about.

Caroline Minuscule by Andrew Taylor

Caroline Minuscule by Andrew Taylor
Protagonist: William Dougal
Setting: England
Rating: 4.5
I hate for a year to go by without having read a Taylor novel, so I went back to his first book, published in 1982. Dougal is a graduate student, the type of person who, upon finding his tutor murdered, walks away without alerting anyone; he doesn't want to spoil his dinner plans with girlfriend Amanda. But soon enough, he's enmeshed in the puzzle that killed his professor; it involves Caroline Minuscule (the name of a Medieval script). The payoff involves diamonds, but Dougal and Amanda have an adversary who will stop at nothing.

By the end of the book, Dougal has undergone quite a transformation. He’s also not the usual detective. As Taylor writes, “in a sense William Dougal is a modified Tom Ripley transposed into a British key.”

It's amazing what Taylor packed into a small novel (234 pages in paperback). This novel, in fact, won the John Creasey Award of the Crime Writers' Association and was shortlisted for an Edgar by the Mystery Writers of America. Taylor went on to write seven more novels in the Dougal series. So while I wait for Taylor’s next book in his Lydmouth series, I will continue to dip into the Dougal books. Taylor has written an interesting essay on his first book here.

Roth trilogy

By far the best books I've read this year (and even last year, for that matter), Andrew Taylor's Roth trilogy (The Four Last Things, The Judgement of Strangers and The Office of the Dead) traces the psychological development of a serial killer, back to her years as a young girl. The books go back in time, each narrated by a different person, and interweaving the lives of two families. Well, three families really. Layered onto the main story is the mystery of Francis Youlgreave, a mad poet-priest who died 50 years before Angel, the serial killer, was born. Yet, his life is intertwined with hers. It is a masterful approach, like nothing I've seen before. The final pages of the last book will leave you stunned. Rating: A+++